interview

29/07/03
brought to you by kind uncle joe90

 

UBIQUITY RECORDS

labels come and labels go, but when it comes to consistently spreading the good word of jazz, you can't go much better than ubiquity recordings. whilst europe gets serious attention for it's jazz maneoures, ubiquity have been holdin it down across the water from their san francisco base for over a decade, with a constant stream of high quality releases covering all angles of soulful dance music from latin bop to broken beat, hip hop to afro rhythms, techno to funk. main man andrew jervis takes time to answer a few enquiries from da futureboogie.

1. how long has ubiquity been going for now?
It's 13 years since Mike and Jody McFadin opened the Groove merchant record store and soon realised that a label would be a good way to keep up with the demand for rare grooves. This was the birth of LuvN'Haight, which soon gave way to Ubiquity, the mother label.

2. what, if any, is the label's 'mission'?
To stay in business! To continue to release the eclectic selection of music that we like, regardless. And to have a laugh while we do it.

3. you seem to have an incredibly prolific release schedule, with a lot of 12"s, why is this?
That's funny I was just thinking we don't have enough going on! It's part necessity - we maybe distributed by over 26 companies around the world, and one giant one in the USA, but we still run our own warehouse, manage our own stock, sell direct, etc etc and this requires a large team of people. We have about 9 people in the Newport Beach office (and I'm up in Berkeley) doing everything from sales, to licensing, to running an in-house promotion company, and our developing our new merchandise line. So in a way we need the releases to keep coming to keep everyone paid. We also like the constant flow of new tunes, that's really what it's all about . . .

4. the label is highly regarded in Europe, what is the perception of it in the US?
Thanks, that's nice to know, we're so far removed it's often hard to judge. The USA is massive. There always have been pockets of interest for the kind
of music we do, and I hope we're popular in those pockets. Recently we've been working with more American acts (John Arnold, John Beltran, Nobody, Greyboy, Platinum Pied Pipers), they're able to get around more and have more localised reputations so hopefully that will help us even more here.

5. what projects are you currently working?
Currently the As One collection is out and about alongside new 12"s from John Beltran and Ayro, plus the Platinum Pied Pipers single. Personally I'm overseeing the release of the John Arnold album (watch out for a single featuring Amp Fiddler with Spacek and Iz mixes), and a compilation called Bay Area Funk.

6. ubiquity was promoting jazz/latin/soul/funk in old and new forms long before it became as fashionable as it is now - are you happy with it's current popularity, and has this been reflected in sales and profile of your artists?
Trends come and go, the good thing is that we're in this exciting scene that moves on, developing new sounds, new flavors but always with a nod of respect to the past. It's maybe a sign of our age when someone like Egon at Stones Throw admits he was only 12 when we were first putting out Luv N'Haight releases! But this just shows we're in a scene with longevity. As for sales, they go up and down and we're doing OK right now. I'd love a Top of The Pops hit though! The funk revival has been great for Luv N'Haight and we've definitely seen those releases pick-up. Ubiquity artist profiles will become more obvious as we drop repeat albums from people like Greyboy, Nobody, P'taah, Beltran etc...

7. what future projects have you got coming up?
New John Beltran album with some great guests, Platinum Pied Pipers album ditto with Detroits finest on board, a Roy Davis Jr album showcasing artists from Chicago and Detroit, Greyboys new album with Sharon Jones and a slew of other guests, Rewind vol. III, an amazing Brazilian reissue of an album by Arthur Verocai (think Jorge Ben meets Charles Stepney), a Breakestra album, and a few artists that are about to sign-up, urm, that should keep me busy for a bit!

8. your all time ubiquity top ten releases?
Ubiquity 10 Essentials (in no order):
John Arnold - Neighborhood Science album
P'taah - The Crossing (Seiji mix)
Johnny Blas - Picadillo A Lo Blas (Carl Craig mix)
As One - 21st Century Soul album
Better Daze - Golden Brown
Nobody - Pacific Drift album
Greyboy - To Know You Is To Love You
Snowboy - Casa Forte (Joe Claussell mix)
Cuica - City To City album
John Beltran - Felicidad Nova
Luv N'Haight 5 Essentials
Black Renaissance - Black Renaissance
Don Cunningham - Tabu
Arthur Verocai - Presente Grego
Longineu Parsons - Funkin' Around
George Freeman - Frantic Diagnosis
CuBop 5 Essentials
Bobby Montez - Jungle Fantastique
Papo Vazquez - Baila Plena
Har You Percussion Group - Welcome To The Party
Franciso Aguabella - Desire
Pucho and The Latin Soul Brothers - Descarga On Las Palmas

9. other ubiquity related projects ie. radio/club events/tours etc.
I host a weekly radio show in SF (The Friday Night Session 10-12midnight on 90.3FM) with Tomas, editor of XLR8R magazine and DJ the Ubiquity monthly event Family Affair with my man Vinnie from Dis-Joint records. With a wide roster there's always something going on with one of the acts - check the Ubiquity website (www.ubiquityrecords.com) under "events". We're looking to do Nobody and John Arnold tours this Fall in connection with their albums, a Bay Area Funk night as part of the SF Funk Fest in October, and a Rewind tour in early '04. We've also gone full-force into clothing and merchandise and are busy doing trade shows and finding interesting designers to collaborate with.

10. the future's bright, the future's ...?
Ubiquitous . . . happening . . . also available on wax . . . now!

andrew jervis mix